Fashion show champions size diversity
Designer Sinéad O’Dwyer’s show at the V&A museum featured models of all shapes and sizes.
Trust 60Craft 77Hype 40How this was reported ▾
One source named on the record, one document cited, and figures given with their origin stated.
How well corroborated and evidenced the reporting is. Higher is better.
The reader is told why this matters, and specific details are provided.
Context, balance and separation of fact from comment. Higher is better.
The headline uses mild emphasis but is generally supported by the article's content.
How far presentation runs ahead of substance. Lower is better.
1 source assessed · methodology

Sinéad O’Dwyer’s Fashion in Motion show, held at London’s Victoria and Albert Museum, presented a cast of models and performers in a variety of clothing, including underwear, skirt suits, and sequins. A notable aspect of the event was the diversity of body shapes and sizes represented on the catwalk. The show also featured interpretive dancing by the band Jeanie and The White Boys.
Challenging Industry Standards
O’Dwyer has consistently challenged the fashion industry's preference for thin body types since her appearance at London Fashion Week in 2021. While typical sample clothing is based on sizes 4-8, O’Dwyer uses a size 18 for her designs. Her work has garnered awards and attracted celebrity endorsements from figures such as Cardi B and Björk. The event on Friday was open to the public with tickets priced at £5, a move O’Dwyer stated aligns with her brand's inclusive ethos, contrasting with the exclusivity of the luxury fashion system.
Arsenal Pursue Bruno Guimaraes Amid Newcastle Rejections
Newcastle United has rejected multiple offers from Arsenal for midfielder Bruno Guimaraes, who is reportedly open to a move.
Despite a period of increased focus on body diversity, progress appears to have stalled. A report by Vogue Business on size inclusivity for autumn/winter 2026 indicated that 97.6% of models featured were 'straight-size', corresponding to UK sizes 4-8. This trend away from diversity has been linked by some to broader societal shifts.
“Sinéad and a few other young designers are carrying a huge amount of effort that the rest of the industry seems unwilling to make. To me, being inclusive is the most punk thing you can do.”
Emma Matell, casting director
Barriers to Inclusivity
Burnham launches £31bn submarine programme phase
New contracts worth £8.4bn to support 18,000 extra jobs in nuclear defence by 2030.
Casting director Emma Matell observed a trend towards women being expected to 'take up less space'. Stylist Jeanie Annan-Lewin suggested this coincides with wider societal changes. Lucy Maguire, features director at Vogue Business, noted the influence of weight-loss drugs contributing to a renewed emphasis on thinness within fashion culture. While London Fashion Week shows more body diversity than other fashion weeks, straight-size models still constituted 92.7% of those featured, according to the Size Inclusivity Report.
The practical and financial challenges of adapting manufacturing processes for larger clothing sizes are significant obstacles to greater body diversity. O’Dwyer believes that visual representation on high-fashion platforms is crucial, recalling her own desire to be a size 6 as a young person, despite not understanding the reason for it. The average clothing size in the UK is 16.
A survey by Vogue Business revealed that 68% of plus-size respondents felt alienated by the fashion industry due to their size, compared to 17% of straight-size respondents. Annan-Lewin finds it peculiar that the industry often assumes plus-size individuals lack disposable income for luxury goods. Experts suggest that financial support for brands committed to increasing size diversity is essential for progress. Annan-Lewin stressed the need for concrete actions beyond discussion to address 'fatphobia' within the industry.
Barnet Press News Desk
This article was written at the Barnet Press news desk from the reporting of the outlets listed below it. Drafting is done by a language model under human editorial supervision — there is no reporter behind this byline, and we would rather say so than invent one.
How stories are produced and scoredWho runs Barnet PressCorrections